Box Office Power Rankings: June 22-24, 2007

My predictive powers have again proved to be less than stellar. (Anxiety over imminent surgery is my excuse.)
Last week, I predicted that a steady Ocean’s Thirteen would displace Knocked Up at the top of Culture Snob’s Box Office Power Rankings.
Not only did that not happen, but 1408 – an adaptation of a Stephen King story – came out of nowhere to tie Knocked Up for the top spot in this week’s rankings. It placed second to Evan Almighty in box office and per-screen average and was shockingly well-received by critics.
I won’t get burned again. This weekend, I’m taking the easy money and saying that Pixar’s Ratatouille will top our rankings, barring stellar notices for Live Free or Die Hard. See how I hedged?
Continue reading for the full rankings and the methodology.

Killing The Sopranos: Five Minutes with the Finale

And ... cut! The final shot of 'The Sopranos'Have you calmed down yet? Are you over the orgasmic delight you felt at the way David Chase defied all predictions about the end of his beloved series, The Sopranos? Have you recovered from your rage about ambiguity, a lack of closure, and Journey? Good. Now let’s clear a few things up.

Fuckity Fuck Fuck: Five Minutes on The Wire

'The Wire': McNutty and Bunk on the caseIn honor of the final episode of The Sopranos, Culture Snob takes a look at five minutes from The Wire – a show that probably wouldn’t exist were it not for that crime family from Jersey. This brief audio commentary – part of the “Five Minutes” series – looks at one scene from The Wire’s first season. In these five minutes, the only dialogue that passes between Baltimore Police detectives Bunk and McNulty are variations on the word “fuck” and one utterance of “pow,” but the audience pieces together how this particular murder went down through visual storytelling and acting devoid of meaningful words.

A New Spark

WilcoOne reviewer has called Wilco’s Sky Blue Sky the best Eagles record the Eagles didn’t make, and it’s impossible to shake the timeless soft-rock vibe in the sound, the vocals, and the easy pace. “A Ghost Is Born was to me really jagged … abrasive,” bassist John Stirratt said of his band’s last studio album. “And this record has a certain warmth.”