It was summer 1969, in southern Illinois. The father of Bride of Culture Snob took the mother of Bride of Culture Snob to the movies to escape the heat. She was pregnant, carrying Bride of Culture Snob. His choice? Rosemary’s Baby.
Cloverfield ended Juno’s three-week reign atop the Box Office Power Rankings over the Martin Luther King Jr. holiday weekend. Juno, by the way, is the only one of this year’s crop of Best Picture nominees (so far) to hold sole possession of first place in our esteemed rankings.
As a member of the choir, I ran screaming from the church because of Michael Moore’s preaching in Sicko. Plus: the equally inept Infamous.
This isn’t a list of the “best” songs of 2007, or even my favorites. It’s a personal 2007 compilation that tries to capture my experience with music over the past 12 months. The songs are meant to play off each other – sometimes in obvious ways, often not – and there’s a purpose to the sequencing.
A few months ago, I promised that I’d try to use the basic Box Office Power Rankings formula to predict a Best Picture winner. The hypothesis is that Best Picture winners tend to have a blend of prestige and popularity, and that a quantitative measure of those qualities might have predictive value.
In this week’s Box Office Power Rankings, Juno retained her crown by outrunning a couple of old farts with cancer. Yeah, she’s pregnant, but that’s still not fair, is it?
What’s the best way to platform-release a movie? The two top films in this week’s Box Office Power Rankings – Juno and Atonement – suggest that a faster path is better in terms of box office.
With inhuman Aliens, Predators, and Water Horses the only new things in wide release between Christmas and New Year’s Day, the Box Office Power Rankings this past weekend was all about re-shuffling. A cursory look at the rankings suggests that Juno is hot, and Sweeney Todd is not. But a closer examination reveals some interesting trends.
