Subscribing to Culture Snob
There are a number of ways to keep up with Culture Snob content using "feeds." Most Web browsers allow you to track new content using these feeds, and there are also plenty of "content aggregators." With these tools, you can follow the Culture Snob Web site without ever actually visiting. (I'll miss you. Sniff.) The major benefit of feeds is collecting content from your favorite Web sites in a single place.
(If you're unfamiliar with what feeds and aggregators are, a good starting point for understanding is this feeds article and this aggregator article.)
Three are three core feeds at Culture Snob:
- The main feed (http://feeds2.feedburner.com/CultureSnob): Any time a new article, audio feature, or poll is posted, it shows up here.
- The podcast feed (http://feeds2.feedburner.com/CultureSnobPodcast): Offers audio content from Culture Snob, including interviews and movie commentary tracks.
- The comments feed (http://feeds2.feedburner.com/CultureSnobComments): Monitor conversations and arguments.
- There is also the Twitter feed (http://feeds2.feedburner.com/CultureSnobTwitter): For whatever I use Twitter, here it will be. You can also check it out here.
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Recent Entries
Cronenberg’s Naked Lunch
My essay on David Cronenberg’s adaptation of Naked Lunch is now up at Edward Copeland on Film. I’ll post it here in a few days.
Gross Error
How is The Human Centipede (First Sequence) not among the most transgressive and repulsive movies ever made? For those not familiar with the premise of writer/director Tom Six’s feature, there’s no reason to be coy about it. The Internet Movie...
Swan Song
“Happy New Year, first of all,” Jimi Hendrix says to the Fillmore East crowd at the dawn of 1970. “We hope you have about a million or two million more of them — if we can get over this summer.”...
Catching Up with the Coens
For whatever reason, I’ve steadfastly avoided most of the Coen brothers’ sillier movies. (If forced to ascribe a cause, I would point to The Hudsucker Proxy.) But a friend’s earnest e-mail (titled “Urgent Coen Brothers symbolism inquiry”) pushed me to...
Looking Forward
Atom Egoyan has been on some kind of losing streak. Since his breakthrough masterpiece The Sweet Hereafter in 1997, his fiction features have gone from dense and compelling if awkward psychological dramas (1999’s Felicia’s Journey and 2002’s Ararat) to blunt,...
Ebert's Game: Still Hidden