Showing 1-7 of 7 results tagged “Drunken Commentary Tracks”

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Seven hours after voting closed, we’ve published the Drunken Commentary Track for Paul Thomas Anderson’s Magnolia — and the movie’s three hours long.

In reality, the gestation period of this commentary track was seven years. The movie has been digested slowly, primarily with “Magnolia and Meaning” and then through an eight-hour class I led.

Further exploration took place with the essays “Why Are There Frogs Falling from the Sky?” and “The Blossom: Jim Kurring.”

Magnolia continues to surprise me, and my feelings and thoughts on it are still evolving. It’s not done with me yet.

I’ll keep this brief: If you’ve seen it, chances are excellent that you either love or loathe Moulin Rouge. But have you ever spent the time to really figure out why?

In this Drunken Commentary Track, Culture Snob and River Cities’ Reader film critic Mike Schulz argue about Baz Luhrmann’s paean to love.

We understand why a studio would give M. Night Shyamalan the benefit of a doubt, with even the much-maligned The Village grossing more than $100 million in the U.S.

We understand that audiences might be willing to take a chance on the writer-director who burst onto the scene with The Sixth Sense and made an unexpectedly thoughtful and human superhero movie with Unbreakable.

And we understand that Syamalan believes that his shit stinks not, and that he further thinks those bowel movements represent a new form of artistic expression.

But why oh why did I assent to River Cities’ Reader film critic Mike Schulz’s inebriated suggestion that we record a commentary track for Lady in the Water?

The reasons for recording (with Bride of Culture Snob) this commentary track to The Prestige are many and simple:

• Director/co-writer Christopher Nolan didn’t include one on the first DVD release — at least not that I’ve found.
• In my essay, I faulted the movie’s ending, but I now accept it as suitable and even necessary.
• There remains great confusion and debate about what actually happens in the movie, even though the script and presentation seem to me models of clarity and foreshadowing.
• Bride of Culture Snob and I continue to argue about the conclusion, and whether it fits or panders to an audience’s anticipated inability to follow the story.
• While it received generally favorable notices, The Prestige seemed to be dismissed as a mere entertainment, and I think critics and audiences failed to recognize the movie’s depth, density, and elegance.

We address all these areas in the commentary track, come to some resolution about the ending, and explore my theory that viewers tend to understand one of the movie’s “tricks” while watching the first time but get fooled by the other.

Werner Herzog once ate his shoe, so why wouldn’t he chase the Loch Ness monster?

What’s a little harder to swallow is that the famously idiosyncratic German director — who pulled a boat over a mountain for 1982’s Fitzcarraldo — would team up with Zak Penn, a Hollywood hack who has written such gems as PCU, Inspector Gadget, and Elektra. Yet that’s what happens in Incident at Loch Ness, a 2004 movie that documents their collaboration.

After choosing I ♥ Huckabees for the second in the Culture Snob “Drunken Commentary Track” series, I can confirm that my thoughts on the movie are less than cogent. You, dear reader/listener, can now hear long, awkward silences and extended digressions as Culture Snob, Bride of Culture Snob, Bad Dog Ginger, and River Cities’ Reader film critic Mike Schulz try to say something of value about the movie. Click to download the audio file (mp3 format, roughly 24 megabytes, 107 minutes), which is intended to be listened to while watching the movie.

A real-time discussion of Billy Ray’s 2003 movie about New Republic faker Stephen Glass (Hayden Christensen) and his editor (Peter Sarsgaard). This commentary track is meant to be listened to while watching the movie. The audio file (mp3 format, roughly 16 megabytes, 94 minutes) features Culture Snob joined by River Cities’ Reader film critic Mike Schulz, with important contributions from Bride of Culture Snob, and at least one interjection from Bad Dog Ginger. Click to download.