Follow the Character
One thing you might notice picking up Daniel Woodrell’s novel Winter’s Bone is how thin it is – less than 200 pages. And when you start reading, you might be struck that it’s been carved incredibly lean. While relatively plainspoken, the sentences are dense, with a mix of dialect from the Ozarks and artfully turned idioms that feel instantly right. One has to sip Woodrell’s language. “I do like to make it apparent to the reader that you need to probably read everything,” Woodrell said in a phone interview in April. “‘I won’t put in any flab, but you have to read what’s here’ is kind of my deal with the reader. … Pay attention to the sentences.”
Lars von Trier’s Antichrist in 560 characters over four Tweets: descriptive, positive, a turning point, and ultimately (in both the “finally” and “fundamentally” senses of the word) negative.
Unlike 
With its last episode airing Sunday, I revisited