Box Office Power Rankings: September 7-9, 2007
It must be the fall movie season, because last weekend’s box-office champ brought in all of $14 million. What we’ll discover in the coming months is how the youthful Box Office Power Rankings (started in May) react to an autumn environment, with its decidedly different dynamic. My guess is that absent summer blockbusters, critical reception will carry more weight.
It’s time for haiku!
There is nobody like Andrew Bird in the world, a songwriter and a performer who makes his whistling, his glockenspiel, and his violin at home with guitars, drums, and vocals in detailed, pitch-perfect pop songs that never seem precious or forced, as eccentric as they are. But when you’re as idiosyncratic as Bird is, that means there aren’t many people whose vision matches your own.
With Rob Zombie’s remake in theaters this weekend, I thought it would be a good opportunity to explore why Michael Myers (or “The Shape”) worked so well in John Carpenter’s 1978 movie Halloween.
We’ve been producing Culture Snob for more than four years now, and I’ve come to a sad realization: I’m tired of movies.
We’ll use this week’s Box Office Power Rankings – topped, for the fourth consecutive week, by The Bourne Identity – to illustrate how the formula works. To assist us: Mr. Bean, pictured to the right.
(An experiment in theft [or fair use] and editing as part of
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