Mr. Bean and the Destruction of the Hierarchical Economies of the Film Industry
My distate for the stone-faced British comedian Rowan Atkinson is well-documented, as is my loathing for his signature creation, Mr. Bean. I like subtle, sophisticated verbal comedy as much as the next guy, but Atkinson takes it too far; I’ve been with people who stare at his almost subliminal act without a hint of a smile, unaware that the turkey-on-the-head routine is a joke.
It’s too long. We’re miffed by the nominations, and sometimes the process itself. The production numbers are cheesy and interminable. We’re displeased with the final results more often than not. Years later, we’re typically embarrassed by the outcome. So let’s scrap the Oscars and replace this evil with another: We’ll choose the best movie of the year through something similar to the presidential-selection process.
As a member of the choir, I ran screaming from the church because of Michael Moore’s preaching in Sicko. Plus: the equally inept Infamous.
We’ve been producing Culture Snob for more than four years now, and I’ve come to a sad realization: I’m tired of movies.
(An experiment in theft [or fair use] and editing as part of
It is, of course, bad form to kick M. Night Shyamalan when he’s down, but here goes.