Portrait of the Artist from a Curious Distance

The best part of Metallica: Some Kind of Monster is its reputed backstory. Commissioned by Metallica’s record label as a promotional film about the making of the metal band’s new album, it instead documented the group’s near-implosion. Yet as engaging as the film is, it’s still strangely amiss. It’s lean but feels too long; it’s probing through the camera’s omnipresence but too gentle and polite; and it’s revealing without ever getting to the heart of the band or its leaders.

Difficult Listening

Metallica seems to be trying to re-claim something on St. Anger, making a statement that the three-album “rock” (as opposed to “metal”) phase the band went through starting with Metallica was a detour rather than a destination. And it is quite a statement, although not very successful. Plus: Radiohead’s Hail to the Thief