A run of sequels is supposed to die a slow death, with waning interest as a series progresses. What, then, explains the $71-million opening-weekend take of Fast and Furious? I know everybody has already forgotten the damned thing exists, but I’m still awed by that number. It’s a third sequel in a franchise nobody gets excited about, and it tops the series’ previous best start by $20 million.
Memento is such a triumph of tricky narrative structure that it’s difficult to get (and keep) a grip on what happens, let alone the objective truth of its protagonist’s past. Christopher Nolan’s second feature, which he wrote and directed based on his brother Jonathan’s short story, seems perpetually slippery and elusive. I’ve seen it at least six times since it was released in the U.S. in 2001 (it debuted at festivals in September 2000), and even though I know it well, each time it repeatedly throws me off. The movie’s closing line – in context, a sick joke by Nolan – is an excellent summary of how I feel watching it: “Now … where was I?”
Slumdog Millionaire – The climax? Salim interrupts. The dance? Credits intrude. Boyle trashes my minor goodwill with shit I don’t care about
Ibetolis, the man behind Film for the Soul, has undertaken a massive project called “Counting Down the Zeroes,” in which he devotes a month to the movies of one year in the current decade. I don’t understand the mechanics of his bending of space and time, but apparently 2000 ends on April 19, after which 2001 begins.
The $59.3-million opening-weekend domestic take for Monsters Vs. Aliens is being touted as proof that 3D is a viable way to pry people off their couches and get them into the damned movie theater. Nearly 56 percent of that amount came from 3D theaters, even though 3D projection accounted for only 28 percent of the movie’s screens. That all sounds impressive, but consider that WALL·E took in $63.1 million its first weekend, Kung Fu Panda $60.2 million, and Cars $60.1 million. Yes, those were all summer movies, but they didn’t benefit from the higher ticket prices for 3D that inflated the take of Monsters Vs. Aliens.
Squish created what he called the “Favorite Film Characters Meme,” and he was unkind enough to tag me. And while I’m skeptical that anything can be called a “meme” at the outset, I’m game. Slow, but game.
