A Postscript on Candyman (Or: The Trouble with Me)

A friend made me feel really stupid about my review of the new Candyman. He said I was “way wrong about a lot of fundamental things.” Pressed to explain, he wrote: “In a nutshell, that the movie was designed for people like you and me – for a prototypical white-person audience. I’d argue that that’s the very reason DaCosta doesn’t give us the scenes we expect, and why the only violence we see is directed toward white people. Black people don’t NEED to see more violence toward Blacks. It’s fine for it to be implied.”

Missing with That Killer Hook (Or: The Trouble with Candyman)

Yahya Abdul-Mateen II in Candyman

Nia DaCosta’s Candyman begins and ends so well and is loaded with enough potent ideas that it’s easy to mistake for a good movie. It’s actually a botch in ways that should feel familiar – from the original movie or from producer/co-screenwriter Jordan Peele’s Us.