The Enthusiast: On Roger Ebert

RogerIn 2010, at the age of 67, Roger Ebert reviewed The Human Centipede (First Sequence) – a horror flick that seems to exist primarily to make viewers vomit. As a professional movie critic for more than four decades, Ebert could have been forgiven for skipping it altogether. But he turned in a no-star-rating review that begins with an earnest rumination on the path to mortality: “It’s not death itself that’s so bad. It’s what you might have to go through to get there.”

On David Foster Wallace

wallace.jpgSome marriages come with two microwave ovens or two sets of dishes. Ours did, too, but it also came with two copies of Infinite Jest. This speaks less to our reading habits than our book-buying habits. I do not believe that Bride of Culture Snob has read David Foster Wallace’s doorstop from 1996. I didn’t get far enough to invoke the 69-page rule, which dictates that I must finish a book once I’ve gotten to that point. So I won’t tell you – now that he’s killed himself at age 46 – that I devoured every word he wrote, or that I’ve memorized favorite passages, or that I’ve ranked my favorite Wallace foot/end notes.

Reincarnation’s Provocative Practicalities

Birth is the perfect antidote for anybody who thinks reincarnation is a romantic notion, allowing for a reunion with the spirit of a loved one who has died. By mining the practicalities of the situation, the movie becomes a rare work that humanizes and seeks to understand the effects of reincarnation instead of merely employing it for cheap horror or cheesy romance.