The Prestige: Drunken Commentary Track

'The Prestige': Tesla provides enlightenmentThe reasons for recording (with Bride of Culture Snob) this commentary track to The Prestige are many and simple:

  • Director/co-writer Christopher Nolan didn’t include one on the first DVD release – at least not that I’ve found.
  • In my essay, I faulted the movie’s ending, but I now accept it as suitable and even necessary.
  • There remains great confusion and debate about what actually happens in the movie, even though the script and presentation seem to me models of clarity and foreshadowing.
  • Bride of Culture Snob and I continue to argue about the conclusion, and whether it fits or panders to an audience’s anticipated inability to follow the story.
  • While it received generally favorable notices, The Prestige seemed to be dismissed as a mere entertainment, and I think critics and audiences failed to recognize the movie’s depth, density, and elegance.

Interpretation Trumps Inspiration

That obscure object of desire: Mia Kirshner in 'The Black Dahlia'Rather than merely join the chorus of those who dismissed Brian De Palma’s The Black Dahlia, and rather than cast a dissent from the general critical favor accorded The Illusionist, I’ll respond to critics I enjoy and respect whose perspectives on these movies differ significantly from mine.

Abracadabra

Hugh Jackman in 'The Prestige'The disappointment of Christopher Nolan’s enormously entertaining – and slyly provocative – The Prestige comes in its closing minutes, when it adds a fourth act to its illusion: the final reveal. As any magician will tell you – as the movie itself reminds the audience – knowledge of the secret robs the trick of its power and allure.