Simple Is Not Easy
Singer-songwriter Carrie Newcomer tells about a friend who leads a group of people who knit for the local food bank. They’ll set up somewhere and knit with a sign that reads, “Knitting for the Food Bank.” “People will come and talk to them,” Newcomer said in a phone interview last week. “Folks who might not maybe go up to someone on the corner and talk to somebody who has a sign will sit down with a group of women knitting and talk about the issue. ‘What’s happening with the food bank?'” The lesson is that directness often isn’t the best way to reach people. “Sometimes our most powerful activism, our most potent activism, comes out of what we love,” she said.
Tagged: Activism, Carrie Newcomer, Folk Music, Interviews, Language
Have you ever read or heard a discussion of a movie that made you think, They just don’t get it? Have you ever wondered, Am I the only person who saw the movie that way? Culture Snob is hosting a forum for essays, arguments, and provocations on misunderstood movies. The blog-a-thon will run Wednesday, May 16, through Sunday, May 20, although I won’t turn my nose up at contributions that arrive before then. The premise is that movies are marketed and evaluated coarsely and simplistically, and that they often contain a richness that’s never mined by critics and casual audiences.
Despite (and because of) its pedigree, Natural Born Killers is undoubtedly trashy, reveling in the killing spree of Mickey (Woody Harrelson) and Mallory (Juliette Lewis) and joyfully joining in the public and media fascination with mass murderers. And it’s an invigorating, brilliantly assembled movie celebrating the way that cinema can make the ugliest human behavior thrilling.
Looking at this list, it’s apparent I’ve been slacking. So let’s dispense with Hollywoodland, This Film Is Not Yet Rated, Art School Confidential, Serenity, and 13 Tzameti in fewer than 900 words total. Yes, it is a motley crew.
Why oh why did I assent to River Cities’ Reader film critic Mike Schulz’s inebriated suggestion that we record a commentary track for Lady in the Water?
The reasons for recording (with Bride of Culture Snob) this commentary track to The Prestige are many and simple: 
I was struck by something Pan’s Labyrinth writer/director Guillermo del Toro said in an 
It’s no surprise that Jen Chapin was pulled in several directions. Her father, the late Harry Chapin, is most famous for writing and performing “Cat’s in the Cradle” but was also a humanitarian, co-founding 
This commentary track deals with a handful of themes: the blunt use of color contrasted with the almost tangential way the movie deals with its ostensible theme of liberty; the use of visual and aural cues to indicate the subjective nature of the film; Julie’s progression from isolation to active engagement with the world; and the relationship between the concept of “freedom” and Kieslowski’s obvious interest in responsibility. Plus, I call Juliette Binoche a “two-faced bitch.” How can you resist?